Francaise Dinner 2016

This is a long-overdue post!  On March 12, I attended the annual Francaise Dinner for the first time, and I am here to tell you it lives up to the hype!  I had an absolutely fabulous time, and I will definitely go again.

A quick - and rather blurry - photo as I arrived at Gadsby's Tavern

I met so many cool new people!  And everyone was dressed so spectacularly:

I think everyone was in awe of this fantastic ship headdress:

Careful of the door frame!

I loved the men's clocked stockings:

I wore my Striped Silk Gown, which I have blogged about previously, over my cotton shift, mock-stays, pocket hoops, and three underpetticoats.  I accessorized with my aquamarine collet necklace and matching earrings from Dames a la Mode.  I had to get a photo with my sonic screwdriver, of course:

Thanks Maggie for taking these photos for me!

The venue was beautiful, the food was delicious, and the company was stellar.  I learned about gummy bears in champagne, and shared a table with these lovely ladies:  Carolyn, Stephanie, Taylor, and Julie.

Photo by Maggie

This is probably one of the best shots of my hair - but everyone else in the photo outshines me quite a bit!  :p

Photo by Maggie

Here we attendees eagerly watch and listen while the dinner's fabulous organizers - Maggie, Stephanie, and Gloria - conduct the raffle:

Maggie's photo

There were so many awesome raffle items!  I won twice, which was the limit, and I had to hold myself back from buying lots and lots of pretty things from the various vendors who had brought their wares!

We also had a professional photographer taking photos before the dinner began, and she got some great shots of me:

Photo by Early Bird Photo - used with permission

Photo by Early Bird Photo - used with permission

Photo by Early Bird Photo - used with permission

Back at the hotel, I emptied my pocket hoops.  They held so much stuff!  Here is everything I brought with me, plus my leftover raffle tickets:

And here are the fun freebies we all got in our goody bags:

And finally, the earrings and the cameo I won in the raffle, and the gorgeous ribbon I bought from Bulldog & Baum:

It was kind of fun to step out of this pile of petticoats at the end of the night:

And shout-out to Alicia at LBCC, whose wonderful historical cosmetics helped me create my 18th Century look:

Plus powder from Colonial Williamsburg

Finally, the official group photo by Beth of BWPW Photography, now Early Bird Photo:

The Great Pink Cape(r)

When I decided to rejoin the Historical Sew Monthly this year, I knew exactly what I wanted to make for the Protection challenge - an 18th Century mantle!  Then I second-guessed myself when I wrote my introductory post, and hemmed and hawed a bit.  But eventually I came back to my original idea.  You see, I already had the perfect fabric for it, even though said fabric is not period correct.  I haven't done a burn test, but I know that it's an un-natural fiber.  I simply do not care, because this fabric holds a special place in my heart, and I wanted to make something fun from it.

It was a remnant of stage curtain fabric left over from the curtain that used to grace the screen of the movie theatre in my hometown.  Those of you who know me well know that the theatre was my second home while I was growing up, because at the time my parents owned and ran it.  (For those who don't know me that well, the theatre is a story for another day.)

I found the remnant rolled on a cardboard tube hidden way in the back of my old bedroom closet when I helped my parents move to their new house a few years ago, and I absconded with it.  I had vague notions of making something historical from it at the time, since it does a pretty good job of imitating watered silk.  To me, watered silk says 18th Century (or earlier).

My main inspiration was this cape and matching muff:

 Digitalt Museum 1780-1810

The color is pretty spot-on, and I loved the white fur trim.  I wanted to make the best use of the limited amount of fabric I had, so I first draped a mock-up from an old sheet.

I used the remnant to measure the width that I needed, and ripped the sheet down to that size.  My pink fabric was not quite square, having one corner shorter than the rest as you can see below: 

It's folded in half here.

I therefore made the sheet piece only slightly longer than the shorter end of the pink piece.  I then cut a slit down from the center of the top edge of the mock-up piece: 

I wanted to make the mantle all in one piece with no seams (save for the hood), and I figured that this would be the best way to achieve that aim.  The slit allowed for a very nice drape around the shoulders:

I tried the mock-up on myself to get a feel for how my arms would interact with it while wearing.  Many of the reference images I was using showed such capes being cut shorter at the elbow than at the front edges, and I wanted mine to be longer again in the back. 

I marked the elbow with a fabric marker:

(The fabric marker was very hard to see in the following images, so I accentuated the marks using MS Paint.)

I also marked the front edge where I had folded the fabric over to create the line I wanted:  

Then it was a simple matter to connect these marks in a smooth, curving line:

The original fabric marker line is much smoother than my MS Paint skills would suggest.

Before cutting anything, I tried it on again to see how the new shape would drape:

I contemplated two different lengths for the side back portion:

I ultimately went with the shorter length, as it matched up better with the front:

I folded the mock-up in half so that I could cut both sides evenly:

And tried on the final shape once again:

 

It's always awkward taking pictures of my own back, but it's the best I can manage when my husband is at work. 

Once I was happy with the mock-up shape, I pinned it to the pink remnant to use as a pattern to cut out the final cape.  The side back corner was well within the boundary dictated by the shorter side of the remnant:

But since the center of the pink was quite a bit longer than the sheet mock-up, I decided to extend the center back bit for some visual interest.  I drew another curved line down from the corner on one side:

Once again, the fabric marker line has been enhanced with MS Paint.

Then I cut along this line and used it to mirror the other side:

Then I went shopping for the rest of my materials.  I decided to line the mantle with white cotton flannel, and edge it with marabou feather boas.  I (mistakenly) thought that this would be easier to work with than faux fur.  And I liked the look of the feathers better.

Such pretty materials

The flannel was not quite wide enough to line the full cape in one piece:

So I marked approximately where the little tail at the center back extended past the edge:

And added a piece on:

Then I used the pink fashion fabric piece as my pattern for the lining:

I cut the lining with right sides together so that I could immediately sew the two together without unpinning anything:

I left an opening at the neck edge, and understitched the lining to the seam allowance.  Then I pressed the edge and tried it on for quick pictures, now that Brian the Engineer was home from work:

It's quite cozy, and I like the shape of the back better than the straight-across edge of the mock-up.  I know I saw a shape like this somewhere when I was researching the project - I think it was a lace mantle - but of course now I cannot find that image.  Oh well.

Next I tackled the hood.  It was a little tricky, since I had only a few oddly-shaped scraps to work with, and one of the pieces had a couple of ugly stains on it:

This is all one piece, just folded in the middle to fit in the frame.

I had carefully cut around these stains when making the cape itself, because I was afraid that if I washed the fabric I would lose the watered-silk effect.  I thought it best to test this theory on a much smaller piece, so that if I ruined it I might still have options.  Still, I was cautious.  I knew I most likely wouldn't need to use the smaller end, so I started my stain-removal attempts there.  I first used Woolite, gently scrubbing the detergent into the fabric by hand, then upgraded to a Resolve Stain Stick after that failed to make any difference.  I let the stain stick material sit on it overnight, then washed it out with no discernible change.  Well, it was time to pull out the big guns.  I was still reluctant to soak the entire piece, so I mixed up a solution of Oxyclean to apply topically.  I left this on for a couple hours, and when I checked on it the stain had vanished!  The color of the fabric was unaffected, so I repeated the process with the other stain.

Unfortunately, I did need to rinse the Oxyclean solution out with water, which necessitated getting the entire piece wet finally.  I blotted most of the water out with a towel, then ironed it until dry.  And I was right that this lost me the watered-silk finish: 

But at least the stain was gone!  And I was hopeful that once I constructed the hood, the lack of finish on this relatively small piece would not be too noticeable.

The biggest scrap I had was the section that was cut out to create the neckline and front edges.  This became the main body of the hood, but it was too narrow down the middle and especially at the rounded end.  So I attached the curved pieces that were cut to create the sides over the arms: 

The right-hand piece is the one that had the stains.

I then cut the rounded edge to a smoother shape:

After

Before

I measured the neck edge, and pleated the curved edge of the hood piece to fit that measurement, pinned the pleats in place and tried it on:

Yay, more mirror selfies!

I was moderately pleased with the look, so I pinned it to the neckline and tried the whole thing on:

It turns out it is even more difficult to get a picture of the back of my own head when my peripheral vision is cut off:

This is the best take out of four.  :p

Satisfied with the hood, I took it off of the cape and marked the placement of each pleat before removing the pins.  Then I sewed the corresponding lining scraps together in the same manner, and pinned the pink hood to the white one with right sides together: 

Then I cut off the excess flannel and stitched them together along the straight edge:

I also understitched the lining in the same way as the cape body.

Then it was a simple matter to re-pleat the curved edge at the marks I had made, stitch it to the fashion fabric edge, and turn the lining neckline edge under and hand-stitch it to the seam.  I stopped taking pictures at this point, and concentrated on hand-sewing the marabou feather boas to the inside edge, being careful not to let my stitches show on the outside.  The feathers proved to be a bit annoying to work with, as the fine fluffy plumes kept getting caught on the thread as I pulled it through the fabric.  I found I had to keep blowing the feathers out of the way in order to get the needle where I wanted it to go.  It took a long time, but it was worth it for the finished product!

Brian the Engineer was kind enough to take these photos for me in the backyard, even though it was almost chilly enough to need the cozy, comfy mantle:

 

I have - since these photos were taken - managed to piece together a matching muff cover from the remainder of the scraps, but I will need to buy another feather boa to trim it before it's done.  In the meantime, I used my first ever muff cover for this quick photo shoot, since it matches my gown so well:

I am happy to report that the once-stained piece of the hood is not noticeable at all when I'm wearing it, even though it no longer has the pretty watered finish as the rest of the mantle.

If it's not clear from the photos, I love my mantle!  It's so girly and fluffy that it appears extremely frivolous and ornamental, but it's actually a very warm and practical garment.  I won't have much need of it in the coming summer months, but perhaps this winter I'll have some fancy 18th Century event where I can wear it.

The Challenge:  Protection

Material:  Questionable content faux watered silk, cotton flannel, marabou feather boas

Pattern:  Made up my own

Year:  Late 18th Century 

Notions:  White thread

How historically accurate is it?  The overall shape seems to be reasonably accurate, though my hood construction is rather inventive.  Since I don't know the fiber content of my main fabric, I'm going to give it a 60% rating. 

Hours to complete:  For the basic construction, probably 2.5 to 3 hours, then another 4 or 5 for attaching the feather trim.

First worn:  Only for photos so far, April 3. 

Total cost:  Faux watered silk:  free!  2 yards cotton flannel:  $4.78 (with 60% off coupon at JoAnn's)  3 marabou feather boas:  $16.47  Total:  $21.25